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supported by 5 fans who also own “A.T.O.M.”
This is an album maneuvering so expertly between devious noisy Industrial Metal and the added Progressive and melodic appeal of Modern Metal I can't help but be drawn to it. It may sound a bit rough around the edges here and there but given its formula, that isn't even all that detrimental to the overall atmosphere.
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supported by 5 fans who also own “A.T.O.M.”
A bit too heavy for me at times, but all around a good album more often than not.
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Genuine Pleasure EP
by Genuine Leather
Effervescent pop without a drop of irony, perfectly geared for fans of the more dance-oriented side of indie music and Tears for Fears.
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Super Connected (2023)
by Tim Arnold
Tim Arnold's latest album of lushly detailed art-pop explores the insidious ways tech surveillance has become a part of our lives.
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Thirsty Knights
by Buck Gooter & A Place To Bury Strangers
Gritty, noisy, and obstinate, this collaborative benefit LP cakes ragged riffs in gallons of distortion.
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supported by 5 fans who also own “A.T.O.M.”
Je me souviens encore de ce mois de juin 2011, quand je tombais sur une chronique ne tarissant pas d'éloges sur Antagonist, premier album du one-man band slovène Neurotech. Je me suis jeté dessus. La magie a opéré tout de suite. Wulf déploie une énergie incroyable : la batterie au rythme mécanique, le piano à la grandeur glaciale et robotique, le cyber metal flirtant avec la techno... tout est bon ! Le seul bémol est le chant de Wulf, manquant de nuances. Mais pour le reste, exceptionnel !!
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